The postie brought me a parcel just now – my author’s copies of the Dutch edition of Songs of the Earth, Het Lied van der Aarde.

Doesn’t it look fantastic? The colours are much more muted and subtle than the early snapshots of the cover art led me to expect – so atmospheric, especially with the brass-bound look around the edges.

Flicking through, I discovered that there’s also a lovely script style drop cap on each chapter, which just makes the page, in my opinion. Mynx have done a super job; I couldn’t be more pleased.

The Spanish edition should be up next – I can’t wait!

I am pleased to be able to let you all know that The Wild Hunt trilogy has been picked up by Tor Books for publication in the USA, bringing the number of overseas editions to six. Songs of the Earth is expected to hit bookstore shelves in the spring of 2012, followed by Trinity Moon and The Dragon House in due course.

This is the Big Kahuna, folks – the USA is a huge market for fantasy, and notoriously difficult for a debut to break into. I can’t begin to describe how stoked (and slightly scared) I am, and excited to be working with a publisher of Tor’s calibre.

I have no word on covers or definite release schedules yet, but as soon as I have something I can share, I’ll be sharing it. Now to find something to remove the silly grin plastered all over my face . . .

On Tuesday 12th April, I went down to London Book Fair. I’d been invited  by Orion to meet up with those of my foreign publishers who were in town for the Fair, and they’d very generously thrown in a hotel for the night, so how could I possibly refuse? I’ve never been to the Book Fair, and I wanted to go and see what it was all about.

Plus I quite like travelling on the train. EastCoast actually make a reasonable cup of tea, and the shortbread fingers aren’t half bad.

I was also hoping to catch up with a writer friend of mine, Judith Kinghorn, who’d just recently been signed by Headline and was due to be at the Fair at the same time as me. We’d first met on the writers’ site Authonomy, and here we were, almost three years later, both with publishing contracts, both marvelling at our good fortune.

Anyway, I arrived at Kings Cross feeling virtuous because I’d managed to do some work on the way down. After freshening up and abandoning the Huge Blue Holdall of Doom at my hotel, I made my way over to Earls Court.

It’s quite an impressive building, if you’ve not seen it before, with the arc of steps leading up to the numerous glass doors that wink at you rather like teeth in a wide, grinning mouth. You get a little holder for your badge in the foyer, then a chap waves a barcode scanner over your left bosom (or wherever you happen to have pinned said badge) and it’s on into the exhibition space itself.

It’s big. Givvus-a-bag-of-crisps big (if that reference is lost on you, scroll down). Brightly lit, and full of people, and there’s books everywhere. All sorts of books. Cookbooks, kids’ books, thrillers, lad lit, women’s fiction, science fiction, you name it. Book porn, as far as the eye can see.

Whimper.

So I got my bearings, and headed for the Hachette UK stand on Aisle H. Head for HarperCollins’ less-than-subtle signage, visible above the heads of the other stands, and it’s just opposite.

And guess what was the first thing I saw? This.

Oh my sweet furry lord.

So I’m standing there, grinning like a loon, wishing I’d brought the camera instead of my crappy old mobile, and it hit me. That’s my book. This is really happening.

Continuing to gawk like a country mouse on her first trip to the Big City, I took a turn around the very smart stand and admired the manor-house-drawing-room styling. Round the far side I found the meeting area, and there was my editor, Gillian Redfearn, who found me a seat and a cup of tea. Over the course of the afternoon I met pretty much the whole rights team, said hello to some old acquaintances, and played text message tag with Judith until she escaped from her various appointments and we were able to meet at last (she’s lovely, and she writes beautifully atmospheric historical fiction).

Sadly, my Dutch publisher was unable to join us for drinks, but we chatted for a while as Day 2 of the Fair wound down, before we collected Stephane and Alain from Bragelonne (my French publishers) and headed off to the pub, where we were joined by Sacha from Heyne and José from Planeta (Germany and Spain respectively). We then ate well, drank well, and laughed much. I seem to remember discussing some sort of pan-European book tour/road trip/pub crawl, but that could have been the beer talking . . .

José also brought me this beautiful boxed proof of the Spanish edition of my book, which is how Planeta are sending them out to the trade. It’s utterly gorgeous: the statue and the ivy are varnished so they shine out from the matt box. You expect to find expensive chocolates inside, or something equally precious. I’ve certainly never seen anything like it before.  The photos don’t do it justice.

On Wednesday I had lunch with my old acquiring editor, Jo Fletcher, pretty much the grande dame of UK genre publishing, who brought me to Gollancz in the first place. It was wonderful to catch up with her; just a real shame we both had to dash off before we got to the bottom of the bottle of wine, her back to the Fair and me to Kings Cross to catch my train home.

The reality of being an almost-published author (63 days to go, not that I’m counting or anything) still hasn’t quite sunk in, but I will admit to feeling a bit more like one now.

——–

McEwan’s Best Scotch TV advert from some 25+ years ago. I’ve scoured YouTube but I can’t find it, which is a shame, because it doesn’t really work in text. Scene: interior, pub, barmaid is pulling a pint of the aforesaid ale (tagline: the one you’ve got to come back for) for a customer recently returned from Germany.

Barmaid: “So how was Munich?”

Customer: “Big.”

“How was the beer festival?”

“Massive.”

<Meaningful pause as she tops off his pint> “And how were the lasses?”

<Cut to flashback of hefty Oktoberfest fräulein> “Oh, give us a bag of crisps.”

In the last couple of weeks, I’ve had some very exciting news.  I’ve been told that I might have some roughs for the cover of Songs of the Earth to look at soon.  With my editor, we’ve finalised the cover copy a.k.a the bit on the inside flap that makes you, the reader, start salivating as you fumble for your credit card.  And I’ve got a tentative publication date.

Naturally, as Gollancz are still working the kinks out of their schedule for the first half of next year, there’s still an “ish” factor here, so I won’t be revealing the date until I know it’s firm, but it does mean that the countdown to launch has begun.

This is becoming alarmingly real.

Songs is moving from an electronic file wrapped up in a dream to something solid.  Tangible.  A physical object that I can hold in my hands and inhale that “new book” smell.  I cannot tell you how much that excites me.

It also terrifies me.  In a couple of months my editor will crack her knuckles and set to, and I imagine the process of delivering a final typescript that she’s happy with will be rather like childbirth.  There will be sweat and swearing and probably tears, and if things get really rough there might even be a little blood, before the finished book is smacked on the bum, weighed, measured, and packed off to production.

In the meantime, I’m not exactly sitting on my hands here.  I still have Trinity Moon to finish.  Although progress has been slow of late due to a variety of health-related issues (which also explain the infrequent updates to this blog), the strands are coming together into what I think will be a satisfying whole.  A bit darker than Songs in several ways.  A bit more menacing.

Watch this space.

On Thursday, I travelled down to London to meet my agent and publisher.  This, I thought, would make everything official, and I would henceforth be able to call myself a Proper Author.

Despite hailing the one and only cabbie in London who *doesn’t* know where the Dickens House museum is, I arrived safely at Ian’s offices so we could get acquainted.  He apologised for his visitor’s chair, a chrome and leather contraption in which authors have been lost, never to be seen again, and we exchanged tales of how book collections outgrow their shelves and having climbed the walls begin to colonise every available flat surface in one’s home like some sort of literary fungus.

Then it was off to Orion House to meet the lovely Jo for lunch.  I was expecting the rest of the Gollancz team to be there.  I wasn’t expecting the Deputy CEO and the publishing director of Orion Books to tag along too.  Talk about wheeling out the big guns to impress the newbie!

But I needn’t have worried.  Everyone was remarkably human–sometimes the unpublished author, confronted with the shiny glass edifice of the modern multinational publishing conglomerate, forgets that behind the revolving doors are real people, drinking stale coffee and swearing at the photocopier, just like the rest of us.

So we ate and drank and chatted about this and that.  I made them laugh (and it didn’t sound forced at all) and they politely pretended not to notice when I dripped hoi-sin sauce on my lapel.  They offered ribald commentary on some of the agents I had submitted to–”I can’t believe she turned you down!” and “Oooh, dodged a bullet there!” and heaped praise on my book that sounded so sincere I had to let myself believe that it was.

Trying desperately hard to create a good impression, and conscious of the fact that I was wearing 3″ heels for the first time in two and a half years, I had eschewed wine for Diet Coke.  So imagine my horror when I went to the ladies’ afterwards and discovered that not only had my shirt come untucked, one of the buttons was undone.  Eek.

Then it was time for shaken hands and lovely-to-meet-yous.  In a flurry of kisses on the cheek, they were gone, off to cover meetings and whatnot.  Me, I tottered into Covent Garden and sought out the nearest pub.

I had survived my first literary lunch.  I should have felt different, somehow.  In a properly-ordered universe, I would have felt different, as the brown juvenile feathers were shed to reveal the shining white plumage of the grown-up author.  Instead I felt as if I had shared an end-of-term nosh-up with my uni study group (I know, I know, I never went to uni–bear with me, here).  If only I’d known how much fun it would be I wouldn’t have felt like throwing up since 5:30am.

So only one question remains.  Does this mean I am a proper author now?

Quite a lot, actually.  A lot of to-ing and fro-ing, trying to find one that looks right, sounds right, balances well on a book cover and isn’t too hard to pronounce (so you don’t end up with lots of confused readers in the bookstore who want to buy your book but don’t know how to say your name and are too embarrassed to go and talk to the girl on the Customer Service counter in case they get it wrong and look like a plonker).

In the opinion of my agent, it is not dissimilar to the naming of cats.  I’ve always maintained that cats should be named something you wouldn’t be embarrassed to yell down the street at midnight to get the wretched thing to come home, and my subconscious immediately presented me with an image of a group of agents wandering around Bloomsbury trying to round up their authors after one of Gollancz’s legendary parties.

I’d originally picked Elizabeth Cooper as my pen-name, because I felt my real one didn’t exactly trip off the tongue.  It doesn’t seem to have hurt Conn Iggulden much, but there you go.  Anyway, my publisher was keen to go for something that balanced better on a cover, and we batted round some ideas.  We even tried playing the gender-ambiguity card for all it was worth, since research suggests that boys tend not to buy books written by girls.  Strange but true.

In the end, we decided that the rule book had been comprehensively trashed by the likes of Stephenie Meyer and Charlaine Harris, and that for fantasy authors female is the new black and Elspeth Cooper it would be.  Plus the foreign publishers loved it.  The name with which I have existed in a state of armed truce for some forty years, which I am reduced to spelling out over the telephone as echo-lima-sierra-papa-echo-tango-hotel only to have the person at the other end go “Um…”

But really, I don’t care, because in 2011 the name in gold-embossed lettering on that gorgeous cover over the thick hardback book will be *mine*.

…but a fortnight is a bloody long time to keep your lip zipped when you’re sitting on astonishing news like this.

Lest I get too big-headed about this, I shall let theBookseller.com tell the story:

http://www.thebookseller.com/news/98263-gollancz-signs-new-fantasy-series.html

Yes, that’s me she’s talking about.  Little old me who’s been scribbling away for mumblety-mumble years on a rag-tag collection of reporters’ notebooks,  A4 pads and the backs of old envelopes.  Who wrote the first draft of the opening chapter twelve years ago in a haze of rage and pain, and who wrote the entire siege of Chapterhouse in one sitting (read the book and you’ll understand what a big deal that was; go on, read it!) and bawled her eyes out as she killed off one of her favourite characters because It Had To Be Done.

Me.

As Nanny Ogg said, “Well I’ll be mogadored!“

That’s what the email said.  The email just received from my literary agent, currently on holiday somewhere hot with unreliable internet access.  The email that said my agent has received a bloody handsome offer to publish Songs of the Earth and the next two books in the Wild Hunt series.

Fuck.