In the last couple of weeks, I’ve had some very exciting news.  I’ve been told that I might have some roughs for the cover of Songs of the Earth to look at soon.  With my editor, we’ve finalised the cover copy a.k.a the bit on the inside flap that makes you, the reader, start salivating as you fumble for your credit card.  And I’ve got a tentative publication date.

Naturally, as Gollancz are still working the kinks out of their schedule for the first half of next year, there’s still an “ish” factor here, so I won’t be revealing the date until I know it’s firm, but it does mean that the countdown to launch has begun.

This is becoming alarmingly real.

Songs is moving from an electronic file wrapped up in a dream to something solid.  Tangible.  A physical object that I can hold in my hands and inhale that “new book” smell.  I cannot tell you how much that excites me.

It also terrifies me.  In a couple of months my editor will crack her knuckles and set to, and I imagine the process of delivering a final typescript that she’s happy with will be rather like childbirth.  There will be sweat and swearing and probably tears, and if things get really rough there might even be a little blood, before the finished book is smacked on the bum, weighed, measured, and packed off to production.

In the meantime, I’m not exactly sitting on my hands here.  I still have Trinity Moon to finish.  Although progress has been slow of late due to a variety of health-related issues (which also explain the infrequent updates to this blog), the strands are coming together into what I think will be a satisfying whole.  A bit darker than Songs in several ways.  A bit more menacing.

Watch this space.

On Thursday, I travelled down to London to meet my agent and publisher.  This, I thought, would make everything official, and I would henceforth be able to call myself a Proper Author.

Despite hailing the one and only cabbie in London who *doesn’t* know where the Dickens House museum is, I arrived safely at Ian’s offices so we could get acquainted.  He apologised for his visitor’s chair, a chrome and leather contraption in which authors have been lost, never to be seen again, and we exchanged tales of how book collections outgrow their shelves and having climbed the walls begin to colonise every available flat surface in one’s home like some sort of literary fungus.

Then it was off to Orion House to meet the lovely Jo for lunch.  I was expecting the rest of the Gollancz team to be there.  I wasn’t expecting the Deputy CEO and the publishing director of Orion Books to tag along too.  Talk about wheeling out the big guns to impress the newbie!

But I needn’t have worried.  Everyone was remarkably human–sometimes the unpublished author, confronted with the shiny glass edifice of the modern multinational publishing conglomerate, forgets that behind the revolving doors are real people, drinking stale coffee and swearing at the photocopier, just like the rest of us.

So we ate and drank and chatted about this and that.  I made them laugh (and it didn’t sound forced at all) and they politely pretended not to notice when I dripped hoi-sin sauce on my lapel.  They offered ribald commentary on some of the agents I had submitted to–”I can’t believe she turned you down!” and “Oooh, dodged a bullet there!” and heaped praise on my book that sounded so sincere I had to let myself believe that it was.

Trying desperately hard to create a good impression, and conscious of the fact that I was wearing 3″ heels for the first time in two and a half years, I had eschewed wine for Diet Coke.  So imagine my horror when I went to the ladies’ afterwards and discovered that not only had my shirt come untucked, one of the buttons was undone.  Eek.

Then it was time for shaken hands and lovely-to-meet-yous.  In a flurry of kisses on the cheek, they were gone, off to cover meetings and whatnot.  Me, I tottered into Covent Garden and sought out the nearest pub.

I had survived my first literary lunch.  I should have felt different, somehow.  In a properly-ordered universe, I would have felt different, as the brown juvenile feathers were shed to reveal the shining white plumage of the grown-up author.  Instead I felt as if I had shared an end-of-term nosh-up with my uni study group (I know, I know, I never went to uni–bear with me, here).  If only I’d known how much fun it would be I wouldn’t have felt like throwing up since 5:30am.

So only one question remains.  Does this mean I am a proper author now?

Quite a lot, actually.  A lot of to-ing and fro-ing, trying to find one that looks right, sounds right, balances well on a book cover and isn’t too hard to pronounce (so you don’t end up with lots of confused readers in the bookstore who want to buy your book but don’t know how to say your name and are too embarrassed to go and talk to the girl on the Customer Service counter in case they get it wrong and look like a plonker).

In the opinion of my agent, it is not dissimilar to the naming of cats.  I’ve always maintained that cats should be named something you wouldn’t be embarrassed to yell down the street at midnight to get the wretched thing to come home, and my subconscious immediately presented me with an image of a group of agents wandering around Bloomsbury trying to round up their authors after one of Gollancz’s legendary parties.

I’d originally picked Elizabeth Cooper as my pen-name, because I felt my real one didn’t exactly trip off the tongue.  It doesn’t seem to have hurt Conn Iggulden much, but there you go.  Anyway, my publisher was keen to go for something that balanced better on a cover, and we batted round some ideas.  We even tried playing the gender-ambiguity card for all it was worth, since research suggests that boys tend not to buy books written by girls.  Strange but true.

In the end, we decided that the rule book had been comprehensively trashed by the likes of Stephenie Meyer and Charlaine Harris, and that for fantasy authors female is the new black and Elspeth Cooper it would be.  Plus the foreign publishers loved it.  The name with which I have existed in a state of armed truce for some forty years, which I am reduced to spelling out over the telephone as echo-lima-sierra-papa-echo-tango-hotel only to have the person at the other end go “Um…”

But really, I don’t care, because in 2011 the name in gold-embossed lettering on that gorgeous cover over the thick hardback book will be *mine*.

…but a fortnight is a bloody long time to keep your lip zipped when you’re sitting on astonishing news like this.

Lest I get too big-headed about this, I shall let theBookseller.com tell the story:

http://www.thebookseller.com/news/98263-gollancz-signs-new-fantasy-series.html

Yes, that’s me she’s talking about.  Little old me who’s been scribbling away for mumblety-mumble years on a rag-tag collection of reporters’ notebooks,  A4 pads and the backs of old envelopes.  Who wrote the first draft of the opening chapter twelve years ago in a haze of rage and pain, and who wrote the entire siege of Chapterhouse in one sitting (read the book and you’ll understand what a big deal that was; go on, read it!) and bawled her eyes out as she killed off one of her favourite characters because It Had To Be Done.

Me.

As Nanny Ogg said, “Well I’ll be mogadored!“